Design Quarters


Series 430 Dining Chair, Black Frame, Sweet Lovin Velour Upholstery

by Verner Panton
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In Stock


The Series 430 Dining Chair was designed by Verner Panton in 1967 and is now re-edited by Danish design brand Verpan. Iconic Panton design, this chair combines outstanding comfort and understated elegance. It is highly customizable, versatile and easy to clean.

Fully upholstered, it is offerend in a large selection of fabrics from premium manufacturers: Kvadrat, Skai, JAB, Dedar, Sørensen Leather. It can also be made to order in the fabric of your choice. Please contact us for samples.

As an official licensee of Verner Panton Design AG, the exclusive owner of all Verner Panton designs, Verpan offers a carefully curated selection of Verner Panton’s timeless designs. Verpan's collections include iconic furniture and lighting pieces that offer extraordinary user experiences and facilitate new ways of living, working and interacting.

Series 430 Dining Chair, Black Frame, Sweet Lovin Upholstery
- Iconic Panton design
- Stackable
- Seat and Back: FSC-approved Wood, Elastic Band Webbing in the Seat, CMHR (CRIB 5) or HR (Cal 117) Foam
- Frame: Black Painted Metal, Felt Feet
- Upholstery: JAB Sweet Lovin
- W 21.3” x D 20.3” x H 32.3“, Seat H 18.1”
- Made in Poland




Verner Panton
Verner Panton

Verner Panton (1926–1998) is the ‘enfant terrible’ of Danish furniture design. Characterized by Poul Henningsen as “stubborn and forever young” Panton used his imagination and enthusiasm to combine high-tech materials, playful shapes and an array of bold colours, until an entirely new and different idiom emerged. After graduating from the Royal Academy in Copenhagen in 1951, he worked briefly at Arne Jacobsen’s architectural office, before setting off in his Volkswagen van in a bid to explore Europe and at the same time find possible investors. He returned to Denmark, not with contracts, but full of ideas, and soon after landed his first major job — designing the interior of the Komigen (Comeagain) Inn. This resulted in “the Cone Chair”, which was placed in an all-red setting, causing a sensation.