Design Quarters


VP168 Sofa, Wool

by Verner Panton
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The VP 168 Sofa was designed in 1987 by Verner Panton and is now re-edited by Danish brand Verpan. This spacious and comfortable lounge sofa of significant and balanced proportions offers an enveloping design, which creates a private space. This fully upholstered three-seater sofa with pocket springs comes with a set of matching pillows. The VP 168 Sofa is an iconic sofa suitable for residential, hospitality or corporate projects. Eco-friendly and sustainable with its frame and base in FSC certified wood.

It is offered in a large selection of fabrics from premium manufacturers: Kvadrat, Skai, JAB, Dedar, Sørensen Leather. It can also be made to order in the fabric of your choice. Please contact us for samples.

As an official licensee of Verner Panton Design AG, the exclusive owner of all Verner Panton designs, Verpan offers a carefully curated selection of Verner Panton’s timeless designs. Verpan's collections include iconic furniture and lighting pieces that offer extraordinary user experiences and facilitate new ways of living, working and interacting.

VP 168 Sofa, Wool, by Verner Panton
- Iconic Panton design
- Frame and base: FSC certified wood
- Seat and Backrest: CMHR (CRIB 5) or HR (Cal 117) foam, pocket springs in seat
- 2 Pillows filled with natural feathers
- L 99.8" x H 31" x D 37.4", Seat H 17.2"
- Made in Poland



Verner Panton
Verner Panton

Verner Panton (1926–1998) is the ‘enfant terrible’ of Danish furniture design. Characterized by Poul Henningsen as “stubborn and forever young” Panton used his imagination and enthusiasm to combine high-tech materials, playful shapes and an array of bold colours, until an entirely new and different idiom emerged. After graduating from the Royal Academy in Copenhagen in 1951, he worked briefly at Arne Jacobsen’s architectural office, before setting off in his Volkswagen van in a bid to explore Europe and at the same time find possible investors. He returned to Denmark, not with contracts, but full of ideas, and soon after landed his first major job — designing the interior of the Komigen (Comeagain) Inn. This resulted in “the Cone Chair”, which was placed in an all-red setting, causing a sensation.