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SPIEGEL Wall/Ceiling Lamp

by Verner Panton
$1,830

In Stock

Overview

The Spiegel Lamp was designed in 1969 by Verner Panton and is now re-edited by Danish brand Verpan. This architectural and sculptural lighting art piece will draw the attention and be recognized whether installed as a single wall lamp or as large scale wall-mounted or ceiling panels. This ambient and decorative piece of lighting has zero glare. The Spiegel Lamp is an iconic Panton piece, suited for residential, hospitality or corporate interior design projects.

As an official licensee of Verner Panton Design AG, the exclusive owner of all Verner Panton designs, Verpan offers a carefully curated selection of Verner Panton’s timeless designs. Verpan's collections include iconic furniture and lighting pieces that offer extraordinary user experiences and facilitate new ways of living, working and interacting.Iconic design with a great story

Spiegel Wall/Ceiling Lamp, by Verner Panton
- Iconic Panton design
- Painted aluminum (metallic silver)
- Black fabric cord with switch (can also be hardwired)
- H 24.6"" x W 24.6" x D 7.9"", Cord L 98.4""
- 1 E12 Bulb (LED or Incandescent) 60W Max, IP20
- Plug-in or Hardwired (installation required)
- UL Certified
- Made in Denmark

Specifications

BULB AND SOCKET
1 Bulb (LED or Incandescent), E12
MAXIMUM WATTAGE
60W
Voltage
110V-220V
POWER SOURCE
Plug-in with switch or Hardwired (installation required)
CERTIFICATION
UL Certified
Weight
10.1 lbs
SHIPPING DIMENSIONS
1 Box 26.9"x26.7"x20.9"
DIMENSIONS
H 24.6" W 24.6" D 7.9" Cord L 98.4"
Proposition 65 Warning

Designer

Verner Panton
Verner Panton

Verner Panton (1926–1998) is the ‘enfant terrible’ of Danish furniture design. Characterized by Poul Henningsen as “stubborn and forever young” Panton used his imagination and enthusiasm to combine high-tech materials, playful shapes and an array of bold colours, until an entirely new and different idiom emerged. After graduating from the Royal Academy in Copenhagen in 1951, he worked briefly at Arne Jacobsen’s architectural office, before setting off in his Volkswagen van in a bid to explore Europe and at the same time find possible investors. He returned to Denmark, not with contracts, but full of ideas, and soon after landed his first major job — designing the interior of the Komigen (Comeagain) Inn. This resulted in “the Cone Chair”, which was placed in an all-red setting, causing a sensation.