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MOON Pendant, XXXL

by Verner Panton
$19,105

In Stock

Overview

The Moon Pendant, designed in 1960, is one of Verner Panton’s earliest lighting creations and is now re-edited by Danish brand Verpan. The beautiful spherical design of this pendant produces a soft and ambient light output, as the vertical lamellae, arranged like a fan, allow individual regulation of the light. The Moon pendant will be an eye-catching element of the room, whether used as a single piece or arranged in clusters. The Moon Pendant, available in three sizes, is an iconic Panton piece suited for residential or hospitality interior design projects.

As an official licensee of Verner Panton Design AG, the exclusive owner of all Verner Panton designs, Verpan offers a carefully curated selection of Verner Panton’s timeless designs. Verpan's collections include iconic furniture and lighting pieces that offer extraordinary user experiences and facilitate new ways of living, working and interacting.Iconic design with a great story

Moon Pendant, XXXL, by Verner Panton
- Iconic Panton design
- Shade made of metal, white lacquered
- White fabric cord
- Diameter 59.1", Cord L 98.4""
- 4 x E26 Bulb 60W Max (LED or Incandescent), IP20
- Special requirements for mounting (Installation required)
- UL Certified
- Made in Denmark


Specifications

MATERIALS
White Lacquered Metal
BULB AND SOCKET
4 Bulbs (LED or Incandescent), E26
MAXIMUM WATTAGE
4 x 100W
Voltage
110V
POWER SOURCE
Hardwired (installation required)
CERTIFICATION
UL Certified
Care
Weight
275.5 lbs
DIMENSIONS
59.1" Cord L 98.4"
SHIPPING DIMENSIONS
1 Box 68"x65"x15"
Proposition 65 Warning

Designer

Verner Panton
Verner Panton

Verner Panton (1926–1998) is the ‘enfant terrible’ of Danish furniture design. Characterized by Poul Henningsen as “stubborn and forever young” Panton used his imagination and enthusiasm to combine high-tech materials, playful shapes and an array of bold colours, until an entirely new and different idiom emerged. After graduating from the Royal Academy in Copenhagen in 1951, he worked briefly at Arne Jacobsen’s architectural office, before setting off in his Volkswagen van in a bid to explore Europe and at the same time find possible investors. He returned to Denmark, not with contracts, but full of ideas, and soon after landed his first major job — designing the interior of the Komigen (Comeagain) Inn. This resulted in “the Cone Chair”, which was placed in an all-red setting, causing a sensation.