Design Quarters

New

Fun Pendant, Tall

by Verner Panton
$1,830

Out of Stock

Overview

The FUN Pendant was designed in 1964 by Verner Panton and is now re-edited by Danish brand Verpan. Modern, yet warm and welcoming, it features a glamorous and elegant design that interacts with its surroundings. Its light output is generous and it combines light, movement and sound with its signature seashells. The FUN Pendant is an iconic Panton piece, suited for residential, hospitality or corporate projects. It comes in multiple sizes and compositions, including spectacular large pieces. Please contact us for information about pieces not featured on the website.

As an official licensee of Verner Panton Design AG, the exclusive owner of all Verner Panton designs, Verpan offers a carefully curated selection of Verner Panton’s timeless designs. Verpan's collections include iconic furniture and lighting pieces that offer extraordinary user experiences and facilitate new ways of living, working and interacting.Iconic design with a great story

FUN Pendant, by Verner Panton
- Iconic Panton design
- Pendant with seashell discs on four ring metal frame, discs connected with small metal rings
- Seashells, Chrome Plated Metal Frame (Silver), Stainless Steel Rings, Black Fabric Cord
- Chrome ceiling canopy included (Silver finish)
- 1 E26 Bulb (LED or Incandescent) 60W Max, IP20
- Hardwired (installation required)
- UL Certified
- Made in Denmark


Specifications

Proposition 65 Warning

Designer

Verner Panton
Verner Panton

Verner Panton (1926–1998) is the ‘enfant terrible’ of Danish furniture design. Characterized by Poul Henningsen as “stubborn and forever young” Panton used his imagination and enthusiasm to combine high-tech materials, playful shapes and an array of bold colours, until an entirely new and different idiom emerged. After graduating from the Royal Academy in Copenhagen in 1951, he worked briefly at Arne Jacobsen’s architectural office, before setting off in his Volkswagen van in a bid to explore Europe and at the same time find possible investors. He returned to Denmark, not with contracts, but full of ideas, and soon after landed his first major job — designing the interior of the Komigen (Comeagain) Inn. This resulted in “the Cone Chair”, which was placed in an all-red setting, causing a sensation.